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		<description><![CDATA[ Euskadiko Orkestra news ]]></description>
		<pubDate>Fri, 16 May 2008 00:00:00 +0200</pubDate>
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			<title><![CDATA[ Presentation of Basque National Orchestra 2012/2013 Season ]]></title>
			<description><![CDATA[ <p><strong>Basque Deputy Minister of Culture Antonio Rivera, BNO General Director I&ntilde;igo Alberdi, and BNO Principal Conductor Andr&eacute;s Orozco-Estrada presented the Basque Orchestra's 2012/2013 concert season at BNO headquarters in Miram&oacute;n. </strong>The Deputy Minister spoke optimistically about the Orchestra's success and its committed effort to reach out to new audiences. Before wrapping up his presentation, Rivera thanked Andr&eacute;s Orozco-Estrada in the name of the Basque Government for his excellent work at the helm of the Basque National Orchestra. I&ntilde;igo Alberdi went through the long list of events planned for this season - including both concerts and activities in other areas - all aimed at keeping the Orchestra on its upward path. Andr&eacute;s Orozco-Estrada, who will be ending his term as principal conductor in June 2013, said that the Basque National Orchestra has been a fundamental part of his career and that he will make the most of the time he has left with the BNO. <br /><br /><strong>"Musika irekia" ("m&uacute;sica abierta" or open music) is the motto chosen for the Basque National Orchestra's new concert season. </strong>"Open music" is meant to express the character and personality of the Orchestra, an organization whose raison d'&ecirc;tre lies squarely in the promotion of culture and education and whose music is geared to different styles, formats and audiences. Based on its core activity, the Season Concerts, the Basque National Orchestra changes like a chameleon to deliver its "open music" in all shapes and forms. It is the orchestra of the Miram&oacute;n Matin&eacute;es, Music Room events, KlasikAT concerts, Music Laboratory and online concerts. It is also the orchestra that wants to open its music to the disadvantaged and more vulnerable audiences; it is the orchestra that passes on a legacy of Basque and universal music through its recordings; it is the orchestra that supports up-and-coming musicians and creates synergies with other areas of art; it is the orchestra that travels, sharing its music with other places and people.<br /><br /><strong>The Basque National Orchestra is an enormous open space in constant evolution. </strong>It is dynamic, innovative and accessible, an organization that studies and designs every idea with a specific audience in mind, and for the enjoyment of all. It is also a necessary place for coexistence, a place for sharing ideas, a confluence of messages through various media, both real and virtual. Its goal is to reach society as a whole, adapting to the interests of individuals. It is always music, open music, music that enables everyone in our society to find his or her own space.<br /><br /><strong>Thirty years, over 3000 performances and more than 3 million spectators ... and counting!</strong></p> ]]></description>
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			<title><![CDATA[ Diego Matheuz, orchestra conductor trained under Venezuela's so-called "system", to debut in Spain with the  Basque National Orchestra ]]></title>
			<description><![CDATA[ <p><strong>In the coming days the Basque National Orchestra will take one step further in the 2011-2012 Concert Season.</strong> The orchestra's 10th programme will feature several highlights - the Spanish debut of <a href="http://www.askonasholt.co.uk/artists/conductors/diego-matheuz">Diego Matheuz</a>, an up and coming young talent from the "Venezuelan system", which has been triumphing in Europe, and the world premiere of Mario Lavista's <em>Tres cantos a Edurne</em> as part of the Tesela project. The concerts will take place in April on the 14th in Bilbao, 16th and 19th in Donostia-San Sebasti&aacute;n, 17th in Vitoria-Gasteiz and on the 18th in Pamplona.</p>
<p><strong>Following in the footsteps of Gustavo Dudamel, Diego Matheuz, aged 27, is a product of the internationally acclaimed Venezuelan system,</strong> a network of children's and youth orchestras that has been an important source of new musical talent. Gustavo Dudamel, star of the educational network founded 36 years ago by Jos&eacute; Antonio Abreu, is now music director of the Los Angeles Philharmonic Orchestra and conductor of the Gothenburg Symphony Orchestra. Following his steps, Diego Matheuz has taken the leap to Europe at the hand of Claudio Abbado and is now musical director of the legendary Teatro La Fenice in Venice. Guest conductor for some of the best orchestras in Europe, Matheuz has conducted throughout Europe, as well as in China and Japan. This will be his first time in Spain, conducting for the Basque National Orchestra. As of today, April 11, Diego Matheuz will join the Basque National Orchestra to prepare and conduct the five scheduled concerts. The programme will feature <em>Tres cantos a Edurne</em> by Mario Lavista, the viola arrangement from <em>Concerto No. 1 for Cello and Orchestra</em> by Saint-Sa&euml;ns, and<em> Sheherazade</em>, the symphonic suite by Rimsky-Korsakov.</p>
<p><strong><em>Tres Cantos a Edurne</em>, third edition of the Tesela project. </strong>The concerts will open with a premiere performance promoted through the Tesela project. With the exclusive collaboration from the BBVA Foundation, Tesela is a project aimed at commemorated the 30th anniversary of the Basque National Orchestra by commissioning composers of international renown to write pieces for the BNO.<em> Tres cuentos a Edurne</em>, by Mexican composer Mario Lavista, is a piece of religious music consisting of three short parts played one after the other without interruption. Much like a pictorial triptych, each part has its own expression and feeling, yet all three parts share a common thread.</p> ]]></description>
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			<title><![CDATA[ Kirmen Uribe debuts with the Basque National Orchestra ]]></title>
			<description><![CDATA[ <p><strong>From 5th to 9th March the Basque National Orchestra will perform concerts from its eighth Concert Season programme.</strong> Under the title "Vi&ntilde;etas del Nuevo Mundo" (Vignettes of the New World), Kirmen Uribe will debut on stage with the Basque National Orchestra reading excerpts from his novel Bilbao-New York-Bilbao, winner of the 2008 National Literature Prize. Perched on the BNO music stands will be music by Copland, Barber, Bernstein, Aita Donostia and Dvorak. The concerts will take place at the Kursaal in San Sebasti&aacute;n on March 5th and 8th, at the Baluarte in Pamplona on March 6th, at the Palacio Euskaldunain Bilbao on March 7th and at the Teatro Principal in Vitoria on the 9th.</p>
<p><strong>Music and literature come together to create a work of art in its own right, </strong>a unique piece that goes beyond the mere fusion of artistic disciplines. "Vi&ntilde;etas del Nuevo Mundo" not only the links the New World of the American continent, but also the world of literature and music as it comes alive on the stage.</p>
<p><strong>As far as the music is concerned, the programme also embraces the idea of a journey, </strong>a connection between the Basque Country and the United States presented through the work of Kirmen Uribe, a kind of soundtrack underscoring the words of the poet. Much like the selected excerpts, the music offers infinitely nuanced sounds that reflect the figure of a person searching for an identity. The soundtrack is a mix of Copland's Fanfare for the Common Man, Itsasoan from Rapsodia Bascongada by Aita Donostia, Bernstein's Candide Overture, Barber's Adagio for Strings and Dvor&aacute;k's Symphony From the New World. A reading with a dramatic twist by Kirmen Uribe and elaborate lighting will draw attention to the idea of a journey between the two sides of the Atlantic.</p>
<p><strong>On previous occasions the Orchestra has included dramatic works in its Season Concert programmes,</strong> including Honneger's King David, Shostakovitch's Baba Yar symphony with Xabier Elorriaga as narrator, and Vita by Arag&uuml;&eacute;s, featuring poems by Bernardo Atxaga recited by Andoni Alem&aacute;n. However, this is the first time a programme has been designed around excerpts from a novel read by the author himself. Kirmen Uribe has done a number of multimedia projects combining poetry with different artistic disciplines. Most noteworthy are Bar Puerto, a combination of poetry, music, video and oral history, and a book and CD entitled Zaharregia, txikiegia agian the product of a series of recitals in New York.</p>
<p><strong>Dutch conductor Lawrence Renes will be in charge of the musical direction of the show.</strong> After his debut as guest conductor for the BNO's 2010 concert season, Lawrence Renes will be joining us again.</p>
<p>&nbsp;</p> ]]></description>
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			<title><![CDATA[ Acclaimed multi-percussionist Martin Grubinger joins the Basque National Orchestra ]]></title>
			<description><![CDATA[ <p><strong>The Basque National Orchestra kicks off its 30th anniversary year with a bang, featuring Austrian multi-percussionist Martin Grubinger (Salzburg, 1983). </strong>The top ranking percussionist on the international scene will play for the first time with the BNO at a season concert. Rhythm is an integral part of this young musician's life 24 hours a day. Not only can he play almost every existing percussion instrument in the world, but also manages to turn everything he touches into percussion. Energy and contagious passion define the performance of a musician who prepares for his percussion events both musically and athletically, whether a solo recital, a performance with a symphony orchestra or any other concert format. The dynamic energy and versatility of Martin Grubinger, who records exclusively for Deutsche Grammophon, has added a whole new dimension to percussion. In his debut with the Basque National Orchestra, as part of the sixth season concert programme, conducted by Andr&eacute;s Orozco-Estrada, Grubinger will perform Frozen in Time, a concerto written specifically for him in 2007 by young Israeli composer Avner Dorman
<p><strong>The Basque National Orchestra turns 30 this year.</strong> It was in early January 1982 that the first musicians were invited to take part in the auditions set up for the purpose of creating a new orchestra. The BNO was officially founded on 20 April that year and has continued to make a name for itself as one of the leading orchestras in Spain. Today the BNO boasts 7000 season subscribers and more than 150,000 viewers who have enjoyed the BNO's 100-plus concerts a year (Season Concerts, Miram&oacute;n Matin&eacute;es, KlasikAT, Family Concerts, Concerts for Schools, concert tours, exchange programmes, Orkestra Herrietan, etc.). The Orchestra also has numerous recordings to its name.</p>
<p><strong>To commemorate the anniversary, the Basque National Orchestra has opted to create new music through TESELA,</strong> a project that will see the light of day over course of the next 12 months. TESELA will premiere a series of eight works by eight accomplished composers from around the world. Tesserae or tesselas (Tesela in Spanish) are the small tiles used in a mosaic, the leit motiv in this particular mosaic being Basque culture. This initiative has been made possible by the exclusive support of Fundaci&oacute;n BBVA, an institution deeply committed to the promotion of cultural creation. In this Season Concert Programme, the Orchestra will premiere the first of the pieces, Zortziko, written by English composer Michael Finissy. The project itself will be presented at the end of January, coinciding with the second premiere and the presence of the composer.</p>
<p><strong>The Orchestra also kicks off the year with a well-deserved tribute</strong> to its founder and first president, Imanol Olaizola. The event took place on 13 January at the Kursaal Auditorium in San Sebasti&aacute;n as part of the 6th Season Concert programme, conducted by Andr&eacute;s Orozco-Estrada.</p>
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